Avon Glimmersticks Black Eye Pencil - Black 8681298934820

Name: Avon Glimmersticks Black Eye Pencil - Black 8681298934820
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Avon Glimmersticks Black Eye Pencil - Black 8681298934820

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Maybe God Forgives Love

Yehuda Amihay Tekin Publishing House

Year of Publication: 2016
Edition: 1
Number of Pages: 72
Paper Type: Book Paper
Size: 13.5 x 21
Language: Turkish
Binding Condition: Paperback
ISBN-10: 9944611619

Author: Yehuda Amichai
Translator: Onur Behramoglu

Yehuda Amihay, the great name of modern Israeli poetry, addresses the wars, separations, pains and most of all love with a subtle reproach and elegant objection in his works. He adds life to the Hebrew word for love, 'ahava', by saying, "And loneliness is being in a place where we have never been with you."

Heaven is God's heaven

and the earth was given to man. But

Whose temples of gold and marble?

And how many of the men kissing the mezuzah?

Was he kissed with such love by a woman?

Heaven is God's heaven and earth is

It is given to man, but whose table is it?

And whose hand is on the table?

This contemporary poet, especially in the Western world, writes the poetry of real experiences, hopes, despairs, childhood, love, family, the birth and end of a passion, the realities of old age and death, which are an inevitable fate, in a process where poetry is turned into a riddle and the relationships between words are not born from experience but are created from an artificial fiction. Soft touches on words with concrete and shocking metaphors.

The feeling you feel while reading these poems is that you are reading the poetry of our geography, our culture, our people.

Feeling how the translator has internalized the poet and his poems adds a different flavor and depth to the reading.

A. Behramoglu

Tanri Belki Esirger Aski

Yehuda Amihay Tekin Yayinevi

Basim Yili: 2016
Baski: 1
Sayfa Sayisi: 72
Kagit Türü: Kitap Kagidi
Ebat: 13,5 x 21
Dil: Türkçe
Cilt Durumu: Karton Kapak
ISBN-10: 9944611619

Yazar: Yehuda Amihay
Çevirmen: Onur Behramoglu

Modern Israil siirinin büyük ismi Yehuda Amihay yapitlarinda konu edindigi savaslari ayriliklari acilari ve en çok da aski ince bir sitem zarif bir itirazla karsiliyor "Ve yalnizlik seninle hiç birlikte bulunmadigimiz bir yerde bulunmaktir" diyerek askin Ibranicesi 'ahava' sözcügüne can katiyor.

Cennet Tanri'nin cennetidir

ve yeryüzü insana bahsedildi. Fakat

altindan ve mermerden tapinaklar kimin?

Ve mezuzayi öpen adamlarin kaçi

öyle bir askla öpüldü bir kadin tarafindan?

Cennet Tanri'nin cennetidir ve yeryüzü

insana bahsedildi fakat masa kimin

ve kimin elidir masadaki?

Çagdasimiz bu sair özellikle Bati dünyasinda siirin bilmeceye dönüstürüldügü sözcükler arasindaki iliskilerin yasanmisliktan dogmayip yapay bir kurgudan olusturuldugu bir süreçte yapinti duyarliklarin degil hakiki yasanmisliklarin ümitlerin ümitsizliklerin çocuklugun askin ailenin bir tutkunun dogusunun ve bitisinin kaçinilmaz bir yazgi olan yaslilik ve ölüm gerçeklerinin siirini yaziyor. Sözcüklere yumusak dokunuslar somut ve sarsici metaforlarla.

Bu siirleri okurken içinizden geçen duygu bizim cografyamizin bizim kültürümüzün bizim insanimizin siirini okudugunuzdur.

Çevirmenin sairi ve siirlerini nasil içsellestirmis oldugunu duyumsamak ise okumaya ayri bir tat ve derinlik katiyor.

A. Behramoglu